Hither & Yon
We met in the space the mundane shops go, in those unscheduled moments when others take their place and old Uncle Joe popping by for a snack finds the 7-Eleven replaced by Maerlyn's Magick Shoppe.
When the 7-Eleven went, I went with it. The air grew rich and heady with magic. Chocolate bars and packaged nuts jostled each other on the shelves. The Slurpee machine twirled out sigils behind its glass. The spare change on the counter took flight in dance, gleaming in the golden light flooding through the windows. When Suriak was given her first watercolors she painted the garden she saw every night when she slept. In the first week she worked through the pad of paper that came with the set, and in the week after she covered the walls of her room with embankments of flowers. Her parents made sure she was never out of paper after that.
"What's that?" her mother asked as Suriak filled a sheet with splotches of yellow. Keith touches a hand to his nose, and I'm not sure what surprises him more: the blood my left hook drew, or the fact that his boxing gloves have suddenly disappeared.
"How did you--" When her little sister Mary died, Clarissa stopped eating up chunks of her time.
At first no one noticed. She went on pretending to be the happy-go-lucky eighteen-year-old we all used to know. She was really good at masking her grief as something else. Filled with ink that spirals onto the page in a cursive race of unscripted extrapolation, the Surreal Fountain Pen is the finest creative writing instrument in the rudimentary history of the human species. Deep in its abounded journey, throughout hidden chambers arranged in a golden spiral that extends beyond its three-dimensional incarnation, dreams are unveiled and language reconstituted with poetic abandon.
The adjective "surreal" does not describe the function of the Surreal Fountain Pen, but its mercurial nature, which is cerebral and spiritual, transcendental and transformative. The primary function of the Surreal Fountain Pen, deeply bedded in the flow of time and the dimensions of space, is to create without restraint. This bead marks the moment you told Tom Merchant (high on your first-ever vodka shots and the teeth-jittering adrenaline of being out--even just as part of a group--with Tom Merchant, the most brilliant, amazing guy you'd ever met) that you couldn't care less about your practical engineering major, that thing that your parents were both so proud of. No, you declared (slamming down your fourth shot), you were going to be an artist instead!
Tom looked at you with real interest in his eyes for the first time ever, and you changed your major the next day, hung-over and scared but bone-deep determined to follow through and be the girl who could impress him. Still, your hands shook as you signed the forms, and you couldn't bring yourself to tell your parents for over four months. On Wednesday Dan found an octopus stretched across the Honda's windshield, basking in the morning dew. Dan set his computer bag down and returned to the house, where he assembled a makeshift cephalopod-removal kit: a spatula to pry suckers off glass, a cookie sheet to scoop up the cat-sized animal and fling it into the hedge. At the spatula's prodding the 'puss turned an angry red. Its arms thrashed, recoiled, and re-attached to the car, deftly avoiding Dan's attempts to slip the aluminum sheet underneath it.
"Daddy, don't hurt it!" Piper called from the doorway. She ran to Dan's side, startling a roosting school of sardines out of the mulberry tree. You are reading a book, and within that book you now walk through the iron gates of the junior high school of your youth.
You don't understand how you are reading of a real place within this old fantasy book of adventures you found in the closet of your childhood bedroom. These particular pages didn't exist before, here in this volume that you read until its white spine was bowed, swaybacked, broken. "Ulder," said the man in the hat, leaning in, lips barely moving. His eyes darted, as if anyone else on the train would hear him through their prophylactic earplugs. We were the only two with ears open.
"What?" I said, too loud. The man in the hat leaned away, mouth tight, beard bristling. He didn't look at me again. Does my family name matter? I gave it up when I joined Ceres Edelman's house to become her willing slave, one of many men in her service.
I was sworn to testify in my own words, and my deposition only recounts what I witnessed. Forgive my awkward ways. I was never videotaped before. They made up their minds and started packing.
"Should we bring our medicine?" Helen asked. It took Penelope a week after moving into her apartment to realize that the man who was always sitting on the leather couch in the living room was her roommate. At first she took him for an overly devoted evangelist. He wore a white, collared shirt, black slacks, and a blank nametag, and had an enormous, bushy beard. When he did not leave or try to win her over to whatever jumbled philosophy he believed, she began to see him as a fixture. There was a roommate-shaped indentation in the couch. He smoked as if the air was poison and his voice was a quiet bass. Whenever she walked by the couch he murmured incoherencies or, Penelope chose to believe, advice.
On the third day after she moved in he said, "There are no entrances. Only exits." "So they did take it down," I said. Tanisha could see perfectly well for herself, but I said it again anyway: "The mural's finally gone."
First the spot on the corner had been a bodega. Then for a while it was a promising construction site; then it was The Hole. You came up out of the subway, and saw a rotten fence of ugly wooden boards, and knew you were in Crown Heights. Then the mural had shown up--probably not overnight, but it had seemed that way at the time. My favorite was the panel with the octopus, but I also liked the pigeon and squirrel wearing crowns. If there ever was a king of Crown Heights, it was probably a pigeon. Tanisha liked the Spay And Neuter Your Pets panel, with the gray and orange cats on it. She said it was practical. Neither of us understood the significance of the panel with tree-sprouting eyeballs, but we both agreed it had a certain creepy panache. Little Him scooted around Danni's heart, tying his strings so tight that she thought the organ would burst. Watching his dizzying journey made her thankful for the transparency of her skin. It didn't matter that she'd flirted with the waiter and allowed him to touch her knee. It was of no consequence that she'd kissed that guy in the bar when out with her girlfriends, that Holly had told Glenn. Glenn would see how much she loved him.
"I am so full of you, there is almost no room for anyone else," Danni said to Glenn at breakfast. She is too small, Kitkun thinks, the first time she enters his tiny workshop tucked between the market's stalls. Too young to have left the nest alone. Yet, despite the years of waiting, he still feels a prick of hope as she steps out of the city's unrelenting smog and over the threshold, thinking, perhaps she will be the one. Perhaps she will ask. She was broken when he met her, shattered into a thousand tiny shapes, all with jagged edges. He gathered up her pieces and carried them home.
He spread them out on his dining room table, an eye here, a fingertip there, and smiled. The damage was not irreparable. The Empty Lot on Annie's block was hot and dusty-dry in the summer, luminous with possibilities. Spiky shrubs caught bits of litter, strange jars and cans nestled among pebbles and behind rocks, and they rarely saw grownups when they played there. Magic happened all the time. She unearthed a real fossil when scraping out one of the crawling paths between shrubs that they called "war tunnels." Another time her friend Grace found a skinny old snakeskin. And when Annie punched Tommy Canallee in the stomach for picking on her brother, his nose bled.
Magic. Clara got her first clue in preschool, just before naptime one day, as Ms. Weston read aloud from a massive gleaming book of fairy tales. Clara knew most of them already, though the versions were different, and this Snow White was stabbed with a poison comb before she ever touched an apple. Others, though, were entirely new to her, stories of huts with chicken legs and beautiful forest women with hollow backs.
And then there was the giant who hid his heart so he could live forever. The tale was all about the prince, about his perilous quest to find and destroy the heart, but Clara couldn't help feeling that it was bad enough to kill a person--anyone knew that was murder--and much worse after they'd gone to all that trouble. She didn't cry, because even at four she never cried, couldn't remember ever caring enough to cry, but she felt a strange solemnity come over her at the words like a shadow passing overhead. She could imagine the giant staring with awful, pitiful eyes as his heart was crushed, and she shuddered. It took a long time for Lucy Morgan to die.
It was an unremarkable death, a slow unraveling of skin and synapses and self that inconvenienced no one and left nothing behind but dust and the lingering memory of lavender in the air. And then, after men in white suits had come and vacuumed away all the traces, sealed them in little clear bags and thrown them away with the evening garbage, nobody seemed to remember that there had once been a person there at all. Isabelle fell back and kicked forward as hard as she could, looking down the length of her body to where her Spiderman shoes pointed to the setting sun.
The swing chains wriggled like pond frogs in her hands. Her tummy lurched just like it did when the plane took off on their trip to see Grandma. He comes to life in aisle six, nestled between a Play and Go Captain Calamari and a crib/floor mirror. Remember me? the toy-boy says to Alice, his eyes glistening wistful blue, the rest of him in lead alloy cast, perhaps the arms and legs made from sawdust and glue. I'm the toy you once tossed away.
Alice fidgets and feigns dumbness, recalls the feeling of having a dream surfacing to water while she is crouching at the edge of the pond, throwing worms at her reflections, dropping breadcrumbs in her father's cereal. Sounds of war awoke the farmer.
He listened as roars of bravery collapsed beneath cries of agony. Swords clashed with swords, armor with armor, flesh with flesh. The farmer sprang from bed, ran for the door of his shack, flung it wide, and froze. Chaos had taken shape. Soldiers in silver poured from the eastern woods to greet the hordes of loping creatures emerging from the high grasses to the west. Flame-tipped arrows hung high above their heads, a thousand lanterns briefly turning night to day before reverting to missile form and completing their deadly arc. All of this--men, creature, fire--came together upon the farmer's field. Where flowering flax had grown was now a crimson tangle of death, a dumping ground for the young, the strong, the valiant. Saturday afternoon crashed, leaving each brick of the asylum stuck like a frozen pixel. Likely the rain, Eben figured. Rendering the complex ripples, the splashing drops--not to mention the fraying edges of the mist--were too demanding for his obsolete brain. During the rainy season, such malfunctions were common, especially in the early afternoon when, as Eben imagined it, the day's onslaught of data finally overran the buffer limits and the whole system tipped into the bucket. During such down times, when his motor functions seized, Eben used to stare at the blank walls and bide his time waiting for reality to reboot. Recently however, Eben was far less patient with these immobilizing crashes. Eben had acquired a tool and now had a new purpose in life.
I can't take my eyes off the customer's back as he approaches my gallery. My emotions are strong and mixed: satisfaction, a sense of completion, a little sadness. I hope he is happy with the painting he is bringing me.
The bell over the door jingles as he enters, and we shake hands with big smiles. He hands me the painting, wrapped in brown paper, and with care and attention I unwrap it. It is one of mine: an abstract suggesting a bowl of fruit, pear and banana shapes in teal and turquoise. I regard it with pride and, again, a little sadness before I hang it in a blank spot on the wall. Uncle Tang repeats the same proverb when he beats me: "Hitting you is loving you." He's not my uncle by blood, though he's done more for me than any blood relative has. My mother could not have had a brother anyway, due to China's One Child Policy when she was growing up in the early 2020s.
Ignoring the tingling bruises on my back, I walk to the kitchen. A few dirty plates sit in the soapy hot water on one side of the sink, not enough to prompt a Bot to begin washing. Uncle and I are the only humans running the restaurant. He was sullen when they returned from the party.
"What's wrong?" she asked, more out of obligation than interest. The prisoner had literally written in circles--well, thought Myra, literally in squares--pacing around and around to fill the stark white walls of the room. The place was barely the size of a good shoe closet, with no windows and no bed. A camera, disconnected now, perched in one corner. The drop ceiling hung low, close, and the two doors--reinforced outer, inner with its dog flap for food and waste--finished the oppressive atmosphere. The man's looping handwriting looked tiny, cramped as he must have been.
"How are you supposed to lie down in here?" Myra said. We were in college and in love and it was magical. You know how it goes.
Beneath the deep midnight sky, Sara and I walked hand in hand, and one of the college guards followed. We led him around the prayer area, where a medical student I didn't know prostrated before a blank wall. The finals were tomorrow and the anguish on his face was palpable, contagious. The cannery above waist level was spotless. Stainless steel countertops shone under the fluorescents and machines hummed with an oiled speed. Jolene was lucky to work at such a fine cannery. She told herself that, when she arrived each evening and again each morning when she left.
One two three, she flicked a rubber-gloved hand across the open cans, one two three, and counted the cherries as they dropped. Before her on the line was the pineapple girl, and before her the melon girl, and before her the girl who scooped shrunken orange slices. Jolene didn't know anyone but the pineapple girl, who sometimes sat with her on breaks. They were all given complimentary cans of fruit cocktail, although most of them went outside to smoke instead of eating. I find you under my bed one night when I am looking for a lost suitcase, curled up and desolate as if you were just a dead tree. You shrink from my reach. I have no idea how long you have been there. I wonder if you can tell.
I stopped dreading you when I was ten. Ten years it took me to get over the unseen monster under the bed who kept me from getting out after lights-off. I wonder what you wanted then; what you want now. I wonder what you eat. I wonder if you will eat me. I don't watch the cars rushing past us on the highway, and I don't look at my brother in the backseat. Instead, I count the sparse hairs on my arm and tell myself that it's not turning into fur.
I check all the time, since my brother started turning into a dog. The teachers at school call it a tic, like they call a lot of things I do. They tell me to sit still and be quiet. They look at me like my voice is only barking--like I'm the one who's an animal. Once upon a time in a far kingdom, there lived a man who fell in love with a river, and so he married it.
One day, as he sat happily in the river, he glimpsed something. It moved swiftly beneath the surface, dark and strong. As it swam by, he grabbed it by the tail and it pulled him pleasantly through the water. The landscape was beautiful, the water refreshing, the day warm. But eventually, he grew tired. "Choose your name," the guy outside the bus says. He has a clipboard and a pen, and he is blocking her path.
She stops, confused. "I have a name." She sits in the same tree every day at lunch, feet dangling from the edge of her wooden defense tower behind the kickball courts.
I stay off the blacktop as I make my way around, away from the big kids, not wanting to draw enemy attention as I approach her. This mission requires my uninterrupted attention and expert knowledge in treaty tactics. Some of my earliest memories are of books. They were everywhere in our apartment back in the Soviet Union; shelves stacked as high as the ceiling in the corridor and the living room, piles of them encroaching upon every nook and available surface like some benign infestation.
Strangers came by often, sometimes several times a day, and browsed the shelves. They spoke to my father, always quietly, as though they were in a library. Cash and books exchanged hands in either direction but there was little haggling, both parties reluctant to insult the books by arguing over their price like they might with a sack of potatoes. Walter Stanwick grabbed his usual newspaper and cup of coffee from the P&D Market on the corner of 53rd and Industrial. It was his routine. In Walter's world, consistency was the secret to a long life.
"I'm sorry, sir, but you'll overdraw your account." The balloon children dance down the sidewalk outside our house to music my husband and I cannot hear. They come with the carnival. It frightens us to see them, their balloon heads red and round, strings falling from their necks like ropes they might have used to hang themselves, though of course none of them did this. Too young. But back when the world ended, this was most everyone else's fate. Every oak in town a freshly minted hanging tree.
I shut the curtains and turn back to the room still littered with dusty children's toys. We don't speak when the carnival's here. As long as you're silent, the balloon children won't come for you. It's the noise that draws them, greedy for more music. When the sun goes down and the carnival lights go up, the round colored bulbs flickering through our sky like UFOs, the balloon children will go back, until dawn, until it is once more time to hunt. At night, we're safe. It isn't like most nightmares. When the carnival's in town, we are afraid of the sun. After extracting the sphinx moth from the mother's deepest fear, tucked away carefully within the smallest chamber of her heart, the lepidopterist held it in the light, trapped between a pair of forceps. It fought, kicking its legs, its wings fluttering, almost transparent, tinted gold.
"Paonias Excaecata," the lepidopterist said. "Very rare. It nests in the most tender corners of the human psyche and hides from sight the ones you love." She put the insect in the open killing jar that lay on the table before her and sealed the lid. "There. That should do it." She turned to the mother. "What's his name?" she asked. Dr. Vulpine took the lectern behind a screen of radio microphones as press cameras flashed and newsreel cameras whirred.
"After careful investigation, I must announce that the recent popularity of mandrakes rests on no scientific evidence. All claims to "terroir" and focusing of local mystic energies are false. In contradiction to the labeling, every type and grade of mandrakes, from "good" to "excellent" and even the recently introduced "elite" and "premium elite," is in fact grown on large industrial farms on the outer prairies. I have seen these farms with my own eyes. The entire mandrake industry is fraudulent." He was born with a heart of gold. The doctors stared at X-rays, slack-jawed, not knowing how it could beat, let alone pump blood, so they scribbled notes and prescribed unnecessary medicine, just to seem important, and sent the boy home.
Soon the child fell ill. He recovered, but he remained fragile all his life. Papa was always losing things, from his car keys to the car he'd just put them in, so when he ended up losing himself, Ansa and I figured we had more important things to do than find out where he went. If he came back, he'd bring dinner. If he didn't, we could turn his office into a TV room.
Ansa and I hatched these plans in the dark underneath our bedclothes, and spent too much money on chocolate bars. We were only two years apart, but born opposites. Ansa was much lighter than I was, born during the winter when Mam said the sun couldn't burn her brown. I used to think we had one mind, and that everything we thought was a shared thought. Callie kept her heart in the front yard, as people often do. Here, her father's oak, solid and stoic and unchanging. There her sister's rhododendron, which bloomed with pale pink flowers. One root from each plant grew into her heart, which nourished everything in the yard.
She stepped over the delicate vines of her college roommate's ivy to get to her mother's willow tree. The leaves were dry and brown, and the once supple branches were brittle and fragile. Callie turned on the soaker hose that wound around the base of the tree, knowing it wouldn't help, but wanting to do something, anything, to save her relationship with her mother. As water dripped from the hose, Callie went to the one bough that still bore green leaves on its branches, but even here she spotted leaves with a slight tinge of yellow at the edges.
by Davian Aw
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by Nicholas B Hoins
"Why are you always so hard on your son? And you speak of your daughter like she's an ex-girlfriend that keeps disappointing you. 'Don't try to pull one over on me' and such things. Pathetic." The clay-face ornament on the wall had not gone off like that in over a week. "The spirit of the tchotchke strikes again," said the shaven-faced waiter with the gel in his hair.
Published on Jun 24, 2015
by James Frederick Leach
Published on Feb 13, 2015
by Nathaniel Lee
The strongest man in the world is trapped inside the closet. The doorknob rattles and shakes, but I have placed a chair beneath it, angled like so, and the rug has kinked beneath it and it will not move. That is how you do trapping people in closets. I know the trick, and I have used it against him. In the bathroom, the clown is still sobbing into the toilet bowl, into which I flushed his bright red rubber nose, the one that goes honk-honk when you squeeze it, and into which I further flushed his electric handshake joy-buzzer and squirting flower, which is visible peeping out from the dark shadows of the U-bend and emitting periodic bubbles. Strings and other such items--for example plastic flower stems--are tremendously bad for toilet pipes, and I should have remembered better. Still, it is enough to trap a clown. It is possible his nose would have been enough, but a thing worth doing is worth doing well, as someone once said to me. I believe he had a sweater, the man who said it.
Published on May 13, 2014
by Rose Lemberg
"If pains are representations, then what do they represent?" (Maund, "Tye on Pain and Representational Content," Pain, 2006:145)
Published on Jul 15, 2013
by David D. Levine
Published on Sep 18, 2013
by Shelly Li
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by Ken Liu
Published on Aug 13, 2013
by Ken Liu
Published on Nov 21, 2011
by Brynn MacNab
***Editor's Note: Adult language, sparingly used***
A story is a little tiny piece. A brick, a section of straight pipe, half a radiator. It should be an important piece; if it's not important, pick a different bit. If you can still tell what's important. A table leg. A trash can lid. The hose on the fire extinguisher. The left side of your lover's broken face. Or choose a moment: an epiphany of love or despair, a shift in loyalties, a bend in the world.
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***Editor's Note: Thoroughly adult story***
You were screaming when I pulled you from the boat.
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Monday the Ninth The mailman delivered the unusual package as the young man who visited me on occasion was leaving. Charley sat in the living room while I tore into the repurposed Amazon shipping box. "Unbelievable," I whispered, clawing my way past squeaking popcorn and crackling bubble wrap to the chewy center, where I pulled out my carefully wrapped virginity, which I'd lost in an all-night Laundromat in the summer of 1966.
Published on Oct 10, 2012
by Patricia Russo
***Editor's Note: Adult language, used judiciously***
The boy throwing rocks at the No Parking sign on Tide Street at around eight p.m. (she'd had to work late, and afterwards had made a detour to a convenience store, and then decided to take this way home--pure chance, nothing but pure chance--if such a thing truly existed) was the first coiler Dahyana had ever seen in the flesh, other than Mrs. Millar. And herself. But then, you never really saw yourself. When she was a child, that boy's age or a little older, Dahyana had spent a stupid amount of time staring into a mirror. Mrs. Millar never stopped her, just nodded and said it was hard, wasn't it? "But where is it?" Dahyana would ask. "You said you saw it."
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