art by Ron Sanders
Luna City, At Night
by Karl El-Koura
Every night before I hit the bars, I push the mattress off my bed and pick out one of the expensive watches. In my house, under the mattress is the safest hiding spot. I select a watch, like I do every Friday night, and put it on. Real leather wallets keep the watches company; I choose one of those and shove money inside. Without the mattress, my bed looks like a snake-lover's garden: silvery serpentine watches crawl over brown rock-like wallets. I replace the mattress.
Every time I head out, I think: Luna City is beautiful at night. It's the same every night, but it's beautiful.
Daytime is a recurring nightmare filled with unceasing sameness. I get up at the same time each day and take my shower at the exact same time because the water supply is tightly controlled. I wait for a crowded floater to stop in front of my dome and for the driver to throw open the dome's latch. I get on the floater and stand between the same sweaty people and I never get a seat and I get off at the dome stop linked up to my work complex. The floater keeps going, bumping along on a jet of pushed air, a giant farting machine. As precise as clockwork, the floater comes around at the same time each day, and farts along at the same speed, traveling every day along the same dome-dotted path.
At work, every day is the exact same. I work with the same people, and take my breaks in the same cafeteria. I come in to work every day at the same time and I eat lunch at the same time and the boss yells, every day at the same time.
But nighttime is a different story. Nighttime, the domelights are dimmed and pretty girls go out to the bars. They all wear tight pants and yellow eye shadow and dark green lipstick. The same, but beautiful.